Attack and defence, want and war, victory and defeat, lordship and thraldom, all sealed with the seal of blood: this from henceforth is the History of Man.
German composer (1813–1883)
Wagner wrote both the music and the words for his operas, then built his own theatre to stage them exactly as he imagined. The result reshaped what opera could be — and what it still argues about.
Wilhelm Richard Wagner was born in Leipzig in 1813 and started in the Romantic opera tradition of Weber and Meyerbeer. Between 1849 and 1852 he published essays outlining his concept of the Gesamtkunstwerk — the "total work of art" — which sought to fuse poetry, music, drama, and visual design into a continuous sung narrative, with music growing organically from the text rather than toggling between arias and recitatives. He realised the idea most fully in Der Ring des Nibelungen, a four-opera cycle built on leitmotifs and extreme chromaticism; Tristan und Isolde pushed harmonic language so fa…
Sourced, dated quotes from Richard Wagner
Attack and defence, want and war, victory and defeat, lordship and thraldom, all sealed with the seal of blood: this from henceforth is the History of Man.
Certain things in Mozart will and can never be excelled.
I am writing Parsifal only for my wife — if I had to depend on the German spirit, I should have nothing more to say.
This is Alberich's dream come true — Nibelheim, world dominion, activity, work, everywhere the oppressive feeling of steam and fog.
The error in the art-genre of Opera consists herein: a Means of expression (Music) has been made the end, while the End of expression (the Drama) has been made a means.
The six component signals behind the Fame score, and their ranks across the leaderboards.
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