Orson Welles
American actor and filmmaker (1915-1985) · United States · Directors · Died at 70
Orson Welles is read about 5,379 times a day, in 89 languages.
A typical day, 30 days to 15 October 2026
The middle day of the days counted, so one week of news cannot move it. The line under it is the last 390 days, one point a day.
Something wrong?At 23, he convinced America that Martians had landed - a radio hoax that turned into the kind of contract Hollywood had never given anyone. He spent the rest of his life making films the studios didn't understand and chasing money they wouldn't give him.
A life in dates
MoonlightingSeries, 1985Orson Welles1982Commander of the Legion of HonourAward1981
History of the World: Part IFilm, Narrator (voice)1978
The Magic of David CopperfieldSeries, Host1976
Cérémonie des CésarSeries1975AFI Life Achievement AwardAward1974Honorary Doctorate from the University of Paris-VIIAward
And Then There Were NoneFilm, 1974Voice on Tape1973
Orson Welles' Great MysteriesSeries, Director, Writer1970Academy Honorary AwardAwardGolden LionAward
Night GallerySeries, 1970Narrator
Catch-22Film, 1970Brigadier General Dreedle1967
OmnibusSeries
Casino RoyaleFilm, 1967Le Chiffre1964“Just breathe at the end of the line or on the punctuation - if you lose that, and lose the iambic pentameter, you'll lose all the sense of what you're saying.”In their wordsTo actor Keith Baxter (probably in 1964) during production of Chimes at Midnight, from an interview of Baxter by Geoff Andrew at a British1963
Ro.Go.Pa.G.Film, The 'Director' (segment "La ricotta")1962
The Merv Griffin ShowSeries1961
King of KingsFilm, Narrator (voice) (uncredited)1960“I don't take art as seriously as politics.”In their words1960-19851958“As for my style, for my vision of the cinema, editing is not simply one aspect; it's the aspect.”In their wordsJune 1958From André Bazin "Interview with Orson Welles", Cahiers du Cinéma, no. 84 (June 1958), as cited in Jean Mitry and Christopher King The
The Long, Hot SummerFilm, 1958Will Varner1955“An audience is not so much a complement to an actor's ego, as a challenge to his capacities.”In their wordsWelles, speaking in an episode of Orson Welles Sketch-Book (1955)1952Palme d'OrAward1951
I Love LucySeries, Orson Welles
OthelloFilm, 1951Director, Writer1948
The Ed Sullivan ShowSeries
MacbethFilm, 1948Director, Writer1946“Race hate isn't human nature; race hate is the abandonment of human nature.”In their wordsQuoted from a commentary aired on 8/11/1946 https://www.youtube.com/watch?v=FqKEb4h6jec&list=PLfJteNATGDXI7G5xF1K3GtAbB-VkRIpia&index=31943
Jane EyreFilm, Edward Rochester1942“Take myself as a good-will ambassador. I'm great - I'm taking myself as a character - for the intellectuals and the man on the street. I'm great where Douglas Fairbanks, Jr.”In their words13 September 1942Quoted by Chan Norris, "Orson Welles on Latin America". PM (September 13, 1942), p. 17.Academy Award for Best Writing, Original ScreenplayAward1941
Citizen KaneFilm, Director, Writer1915Born6 May 1915Also in Deutsch
Photos 12
In their own words 10
Just breathe at the end of the line or on the punctuation - if you lose that, and lose the iambic pentameter, you'll lose all the sense of what you're saying.
I have always been more interested in experiment, than in accomplishment.
I don't take art as seriously as politics.
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1,120 subscribersFilmography 40
553 credits on file
Television 24
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Welles was directing high-profile stage productions in New York by 21, starting with a 1936 Macbeth with an African-American cast and ending with The Cradle Will Rock in 1937. He and John Houseman founded the Mercury Theatre, which ran Broadway productions through 1941. In 1938, his radio adaptation of H. G. Wells's The War of the Worlds made some listeners believe a Martian invasion was real, rocketing him to international fame and drawing Hollywood offers. His first film was Citizen Kane (1941), which he co-wrote, produced, directed, and starred in - consistently ranked among the greatest films ever made. He directed 12 other features, including The Magnificent Ambersons, Othello, Touch of Evil, The Trial, and Chimes at Midnight, working in layered narratives, dramatic lighting, unusual angles, and deep focus shots. He struggled for creative control in the studio system, later worked independently, and often couldn't secure financing. He died in 1985, praised as the ultimate auteur, voted the greatest film director ever by the British Film Institute in 2002.
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