French actress, singer, screenwriter and director (1928-2017)
She moved through the French New Wave like smoke through light — Louis Malle's muse in Elevator to the Gallows, the axis of Jules et Jim, the face Orson Welles called the greatest actress alive.
Jeanne Moreau made her stage debut in 1947 and rose through the Comédie-Française before film pulled her in. Small parts in 1949 gave way to Elevator to the Gallows in 1958, the role that made her central to a generation of directors. The 1960s belonged to her: Cannes Best Actress for Seven Days... Seven Nights, a BAFTA for Viva Maria!, turns in La Notte, Jules et Jim, and Diary of a Chambermaid that redefined what a woman could be onscreen. She directed starting in 1976 with Lumière and kept acting into her eighties, winning a César for The Old Lady Who Walked in the Sea in 1992. The awards p…
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