Jacques Demy is read about 562 times a day, in 45 languages.
Counted to 16 September 2026, not since.
The middle day of the days counted, so one week of news cannot move it. The line under it is the last 60 days, one point a day.
Something wrong?Jacques Demy was a French director, screenwriter and lyricist. He appeared at the height of the French New Wave alongside contemporaries like Jean-Luc Godard and François Truffaut.
A life in dates
Three Seats for the 26thFilm, Director, Writer1987
Nulle part ailleursSeries1980
Break of DayFilm, Director, Writer1975
Les Rendez-vous du dimancheSeries1974
Spécial cinémaSeries1973
A Slightly Pregnant ManFilm, Director, Writer1972
Le Grand ÉchiquierSeries1969
Model ShopFilm, Director, Writer1966Behind the ScreenSeries1964Palme d'OrAward1963Louis Delluc PrizeAward
Bay of AngelsFilm, 1963Director, Writer1961
LolaFilm, Director, Writer1959
DiscoramaSeries1958
Le Bel IndifférentFilm, Director1951
Dead HorizonsFilm, Director1941
Le pont de MauvesFilm, Director, Writer1931Born5 June 1931Also in Deutsch
Photos 1
Filmography 40
103 credits on file
Television 7
Awards
Family
Partners
Is this everyone?
Only relatives with a profile here are drawn, so a family can be larger than this. A line here can also be wrong.
Correct this familyAbout this person
Jacques Demy was a French director, screenwriter and lyricist. He appeared at the height of the French New Wave alongside contemporaries like Jean-Luc Godard and François Truffaut. Demy's films are celebrated for their visual style, which drew upon diverse sources such as classic Hollywood musicals, the plein-air realism of his French New Wave colleagues, fairy tales, jazz, Japanese manga, and the opera. His films contain overlapping continuity, lush musical scores and motifs like teenage love, labor rights, chance encounters, incest, and the intersection between dreams and reality. He was married to Agnès Varda, another prominent director of the French New Wave. Demy is best known for the two musicals he directed in the mid-1960s: The Umbrellas of Cherbourg (1964) and The Young Girls of Rochefort (1967).
Fame.am measures public visibility signals. It does not measure human value, talent, morality, or credibility.































