Catherine Deneuve is read about 3,865 times a day, in 78 languages.
A typical day, 30 days to 15 October 2026
The middle day of the days counted, so one week of news cannot move it. The line under it is the last 390 days, one point a day.
Something wrong?She's the face French cinema shows the world when it wants to prove cinema is an art form. Across seven decades and over a hundred roles, Deneuve built a career on playing women who don't explain themselves - aloof, impenetrable, worth the effort of watching.
A life in dates
Parallel TalesFilm, Céline2023Order of Princess Olga, 3rd classAward
Beau gesteSeries, 20232022Golden Lion for Lifetime AchievementAward2021
PeacefulFilm, Crystal2019“[On wearing clothes made by the Yves Saint Laurent brand] You are more aware of what you wear. You feel totally different.”In their words10 January 2019As quoted in Nicholas Foulkes "Catherine Deneuve: I was a symbol, I suppose", Financial Times (10 January 2019)2018Praemium ImperialeAward
Bad SeedsFilm, 2018Monique2015“It's the social networks that prevent people from dreaming any more about stars.”In their words13 May 2015As quoted in Andrew Pulver "Catherine Deneuve: 'Social media has stopped people dreaming about stars'", The Guardian (13 May 2015)
Standing TallFilm, 2015Le Juge2013European Film Academy Lifetime Achievement AwardAward2011
BelovedFilm, Madeleine2009
CyprienFilm, Vivianne2007
PersepolisFilm, Marjane's Mother (voice)2006
Germany's Next TopmodelSeries2005“I can be very critical on myself and on other people; when I work, I can be very demanding. But to direct...”In their words21 September 2005As quoted in Geoff Andrew "Guardian interviews at the BFI: Catherine Deneuve", The Guardian (21 September 2005)Honorary Palme d'OrAward2002European Film Award for Best ActressAwardSilver Bear for Outstanding Artistic ContributionAward2001
Burger QuizSeries
The MusketeerFilm, 2001The Queen1999
Pola XFilm, Marie1998Honorary Golden BearAwardVolpi Cup for Best ActressAward1997Moscow International Film FestivalAward1995
Die Harald Schmidt ShowSeries1994Donostia AwardAward1993“I think that women who have to deal with a big amount of people have to compartmentalize themselves.”In their words27 December 1993As quoted in Hilary de Vries "MOVIES: Hello, I'm Catherine Deneuve", Los Angeles Times (27 December 1993)César Award for Best ActressAward1983
The HungerFilm, Miriam Blaylock1982
Champs-ElyséesSeries1981César Award for Best ActressAwardDavid di Donatello for Best Foreign ActressAward1978
Ciné regardsSeries1977
March or DieFilm, Simone Picard1976
Cérémonie des CésarSeries1972
Midi trenteSeries
Un FlicFilm, 1972Cathy1967
Belle de JourFilm, Séverine Serizy1964
The Umbrellas of CherbourgFilm, Geneviève Emery1956
CinépanoramaSeries1948
BambiSeries1943Born22 October 1943Also in Deutsch
Photos 8
In their own words 8
, [On wearing clothes made by the Yves Saint Laurent brand] You are more aware of what you wear. You feel totally different.
It's the social networks that prevent people from dreaming any more about stars.
I can be very critical on myself and on other people; when I work, I can be very demanding. But to direct...
Listen
SpotifyFilmography 40
PTParallel Tales
TWThe President's WifePEPeaceful
TJTerrible Jungle
TTThe Truth
HBHappy Birthday
CDClaire DarlingBSBad Seeds
TMThe Midwife
AUAll That Divides Us
TTThe Brand New TestamentSTStanding Tall
HE3 Hearts
ABAsterix & Obelix: God Save BritanniaBEBeloved
TWTrophy Wife
TPThe Big PictureCYCyprien
TAThe Beaches of Agnès
ATA Christmas TalePEPersepolis
RPRoyal Palace
WO8 WomenTMThe Musketeer
DDDancer in the DarkPXPola X
INIndochineTHThe Hunger
CAChoice of Arms
TMThe Last MetroMDMarch or Die
LULovers Like UsUFUn Flic
DSDonkey Skin
TRTristana
MMMississippi MermaidBJBelle de Jour
TRThe Young Girls of Rochefort
RERepulsionTCThe Umbrellas of Cherbourg274 credits on file
Television 24
BGBeau geste
FCFaut Voir - L'Hebdo cinéma
QUQuotidienGTGermany's Next Topmodel
NTNip/TuckBQBurger Quiz
FRFriday Night with Jonathan Ross
SNSo Graham Norton
TVThe ViewDSDie Harald Schmidt ShowCEChamps-Elysées
WDWetten, dass..?CRCiné regards
ALAuf los geht's losCCCérémonie des César
LDLes Rendez-vous du dimanche
NUNuméro un
SCSpécial cinémaMTMidi trenteCICinépanorama
TOThe OscarsBABambiAwards
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Catherine Fabienne Dorléac made her screen debut at 13 in 1957, stepping into a New Wave that would carry her to the same international tier as Bardot and Delon. Early directors - Buñuel, Truffat, Polanski, Demy - cast her as mysterious beauties who held the camera at arm's length, and the distance worked: musicals like The Umbrellas of Cherbourg and The Young Girls of Rochefort made her a key face of the genre. The work spread across continents - America, Britain, Italy, Spain, Portugal, Denmark, Japan - and pulled nearly 99 million admissions in French theaters, more than any working actress in the country. In 1985 she became the official face of Marianne, France's national symbol. She won the César for The Last Metro, the Volpi Cup for Place Vendôme, and collected honorary prizes from Berlin, Cannes, and Venice as the decades stacked up.
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