François Truffaut is read about 1,654 times a day, in 83 languages.
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Something wrong?The director who turned film criticism into a revolution. Truffaut invented the idea that a movie belongs to its maker, then proved it by building the French New Wave from a typewriter and a handheld camera.
A life in dates
The Last MetroFilm, Director, Writer1978
Ciné regardsSeries
The Green RoomFilm, 1978Director, Writer1976
Small ChangeFilm, Director, Writer1975National Board of Review Award for Best Foreign Language FilmAward
ApostrophesSeries, 19751974BAFTA Award for Best DirectionAwardBAFTA Award for Best FilmAward
Les Musiciens de la pelliculeSeries, 1974lui-même1973National Society of Film Critics Award for Best DirectorAwardNew York Film Critics Circle Award for Best FilmAward
Day for NightFilm, 1973Director, Writer1971
Two English GirlsFilm, Director, Writer1970National Board of Review Award for Best DirectorAwardNational Board of Review Award for Best Foreign Language FilmAward1969
Mississippi MermaidFilm, Director, Producer1968Louis Delluc PrizeAward1967
OmnibusSeries1964
Pour le plaisirSeries
Mata Hari, Agent H21Film, 1964Writer1962Bodil Award for Best Non-American FilmAward
The Merv Griffin ShowSeries, 19621961
A Story of WaterFilm, Director, Writer1959Bodil Award for Best Non-American FilmAwardCannes Best Director AwardAward
The 400 BlowsFilm, 1959Director, Writer1956
CinépanoramaSeries
Fool's MateFilm, 1956Party guest (uncredited)1954
Reflets de CannesSeries1932Born6 February 1932Also in Deutsch
Photos 8
Filmography 40
184 credits on file
Television 13
Awards
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Truffaut learned the craft writing for Cahiers du Cinéma under Andre Bazin, where he argued that directors were the true authors of their films. He made the theory real with The 400 Blows in 1959, a semi-autobiographical story starring Jean-Pierre Léaud that became the New Wave's calling card and launched a decades-long chronicle of the same character, Antoine Doinel, through Stolen Kisses, Bed and Board, and Love on the Run. He worked on Breathless with Jean-Luc Godard, made Jules and Jim and Shoot the Piano Player, and spent a career in conversation with Hitchcock - writing the landmark book-length interview Hitchcock/Truffaut in 1966 and paying homage in The Bride Wore Black, Mississippi Mermaid, and his final film, Confidentially Yours. Day for Night won him the Oscar and BAFTA for Best Foreign Language Film in 1973; he acted in his own The Wild Child and The Green Room, and played the scientist in Spielberg's Close Encounters. He was married to Madeleine Morgenstern until 1964, engaged briefly to actress Claude Jade, and lived with Fanny Ardant until his death at 52.
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