Luis Buñuel is read about 1,616 times a day, in 74 languages.
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Something wrong?He sliced an eyeball on screen in 1929 and spent the next five decades dismantling every other comfortable assumption about class, faith, and desire. Buñuel made surrealism a weapon, then aimed it at Franco, the bourgeoisie, and the church - and kept winning prizes for it.
A life in dates
The Phantom of LibertyFilm, 1974Director, Writer1971
Johnny Got His GunFilm, Writer1969
The Milky WayFilm, Director, Writer1965Grand Jury Prize of the Venice Film FestivalAward
Simon of the DesertFilm, 1965Director, Writer1962
The Exterminating AngelFilm, Director, Writer1959
Fever Mounts at El PaoFilm, Director, Writer1956
CinépanoramaSeries1955
The Criminal Life of Archibaldo de la CruzFilm, Director, Writer1954
Reflets de CannesSeries1953
ÉlFilm, Director, Writer1951Cannes Best Director AwardAward
Daughter of DeceitFilm, 1951Director1949
The Great MadcapFilm, Director1933
Land Without BreadFilm, Director, Writer1929
MontparnasseFilm1926
MaupratFilm, Monk / Guardsman1900Born22 February 1900Also in Deutsch
Photos 8
In their own words 10
God and Country are an unbeatable team; they break all records for oppression and bloodshed.
Thank God I'm an atheist.
Age is something that doesn't matter, unless you are a cheese you dingus
Filmography 40
139 credits on file
Television 3
Awards
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Born in Spain in 1900, Luis Buñuel Portolés made his name in the 1920s surrealist movement, collaborating with Salvador Dalí on Un Chien Andalou and L'Age d'Or - two films that became instant avant-garde landmarks. He spent 1947 to 1960 in Mexico directing grounded melodramas like Los Olvidados and Él, honing a craft that would later fuse with his surrealist instincts. The shift came with Viridiana in 1961, a morally knotted critique of the Franco regime that won the Palme d'Or, and continued through The Exterminating Angel and The Discreet Charm of the Bourgeoisie, the latter taking the Oscar for Best Foreign Language Film in 1972. By the time That Obscure Object of Desire closed his career in 1977, he'd collected five Cannes prizes, two Berlins, a BAFTA, an Academy Award, and two Nobel Prize in Literature nominations. He died in 1983, having turned surrealism from a movement into a method - and used it to interrogate power until the end.
In common with Luis
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