French actor (1930–2022)
He walked through half a century of European cinema's defining films — Bertolucci's fascist study, Lelouch's romance that made him a star, Haneke's devastation in old age — without ever pushing for the spotlight, just holding it by being unnervingly present.
Jean-Louis Trintignant made his theatrical debut in 1951 and broke through five years later in And God Created Woman, then became a true name with A Man and a Woman in 1966. He won Best Actor at Berlin in 1968 for The Man Who Lies and at Cannes the next year for Costa-Gavras's Z. Between those festivals and beyond he worked steadily with the auteurs — Bertolucci's The Conformist in 1970, Rohmer's My Night at Maud's in 1969, Kieślowski's Three Colours: Red in 1994 — building a career defined less by noise than by the quality of the company he kept. At eighty-one he took the 2013 César for Amour…
The six component signals behind the Fame score, and their ranks across the leaderboards.
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