Jean-Louis Trintignant is read about 1,186 times a day, in 55 languages.
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Something wrong?He walked through half a century of European cinema's defining films - Bertolucci's fascist study, Lelouch's romance that made him a star, Haneke's devastation in old age - without ever pushing for the spotlight, just holding it by being unnervingly present.
A life in dates
The Best Years of a LifeFilm, Jean-Louis Duroc2013César Award for Best ActorAward2012European Film Award for Best ActorAward
SquareSeries, 2012
AmourFilm, 2012Georges2011
Agnès Varda: From Here to ThereSeries1995
The City of Lost ChildrenFilm, L'oncle Irvin (voice)1987
Nulle part ailleursSeries1985
Rendez-vousFilm, Scrutzler1982
That Night of VarennesFilm, Monsieur Sauce1978
Ciné regardsSeries1976
The Desert of the TartarsFilm, Magg. Med. Rovine1975
Flic StoryFilm, Émile Buisson1974
Spécial cinémaSeries1973
The Last TrainFilm, Julien Maroyeur1972
Midi trenteSeries1971Samedi soirSeries
The ConformistFilm, 1971Marcello Clerici1969Cannes Film Festival Award for Best ActorAward1968Silver BearAwardSilver Bear for Best ActorAward
Death Laid an EggFilm, 1968Marco1965
Le Train Bleu s'arrête 13 foisSeries, Mezure
Angelique: The Road to VersaillesFilm, 1965Claude le Petit, dit Le poète croté1964
Pour le plaisirSeries1960
AusterlitzFilm, Ségur fils1956
...And God Created WomanFilm, Michel Tardieu1930Born11 December 1930Also in Deutsch
Photos 8
Filmography 40
189 credits on file
Television 13
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Jean-Louis Trintignant made his theatrical debut in 1951 and broke through five years later in And God Created Woman, then became a true name with A Man and a Woman in 1966. He won Best Actor at Berlin in 1968 for The Man Who Lies and at Cannes the next year for Costa-Gavras's Z. Between those festivals and beyond he worked steadily with the auteurs - Bertolucci's The Conformist in 1970, Rohmer's My Night at Maud's in 1969, Kieślowski's Three Colours: Red in 1994 - building a career defined less by noise than by the quality of the company he kept. At eighty-one he took the 2013 César for Amour, Haneke's quiet brutal study of a marriage ending, a final proof that his method had never softened. He died in June 2022.
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