A film is its own thing and in an ideal world I think a film should be discovered knowing nothing and nothing should be added to it and nothing should be subtracted from it.
American filmmaker, visual artist, musician, and actor (1946–2025)
The filmmaker who made surrealism feel inevitable on screen — the dream logic of Twin Peaks, the dread beneath Blue Velvet's white picket fences, the slow-burn unease of Eraserhead. Lynch didn't explain his work and didn't need to.
David Keith Lynch started as a painter in the 1960s and began making short films to put movement into his canvases. Eraserhead, his first feature, took five years to finish on a shoestring and became a midnight-movie fixture. The Elephant Man in 1980 brought him into the mainstream, followed by the poison-suburbia of Blue Velvet in 1986 and a Palme d'Or for Wild at Heart in 1990. He co-created Twin Peaks with Mark Frost the same year — a surrealist horror-mystery that rewrote what television could be and earned him nine Emmy nominations across its two runs. Mulholland Drive arrived in 2001 as…
Sourced, dated quotes from David Lynch
A film is its own thing and in an ideal world I think a film should be discovered knowing nothing and nothing should be added to it and nothing should be subtracted from it.
When you're an artist, you pick up on certain things that are in the air. You just feel it.
In film, life-and-death struggles make you sit up, lean forward a little bit. They amplify things happening, in smaller ways, in all of us. These things show up in relationships.
The beginning dictates the direction and you never know where you're going to go ... the mood is what you're looking for, and somehow we always find it.
When I was little in Spokane, Washington I drew all the time... and my father would bring paper home ... and I mostly drew browning automatic water-cooled sub-machine guns...
The six component signals behind the Fame score, and their ranks across the leaderboards.
Similar profiles worth watching