I don’t mind people admiring me if they want to but I don’t think it’s very logical. It’s not like I was St. George knocking off some dumb dragon or anything like that.
American animator and filmmaker (1912–2002)
He gave Wile E. Coyote his doomed precision and Bugs Bunny his sharpest edge. The director behind What's Opera, Doc? and Duck Amuck turned seven-minute cartoons into tightly wound masterpieces that animation professionals still call the greatest ever made.
Jones started in 1933 at Warner Bros.' Termite Terrace studio alongside Tex Avery and Friz Freleng, learning the craft that would define American animation. During World War II he directed the Private Snafu military training shorts, then spent decades refining the Looney Tunes roster into something faster and stranger than anyone expected. After Warner Bros. ended that run in 1962, he launched Sib Tower 12 Productions and made Tom and Jerry shorts for MGM, then directed the 1966 television adaptation of Dr. Seuss's How the Grinch Stole Christmas!. He won an Oscar for The Dot and the Line in 19…
Sourced, dated quotes from Chuck Jones
I don’t mind people admiring me if they want to but I don’t think it’s very logical. It’s not like I was St. George knocking off some dumb dragon or anything like that.
A comedian is not a person who opens a funny door — he's the person who opens a door funny.
Animation in itself is an art form, and that's the point I think always needs clarification.
As Norman McLaren said, animation is not a bunch of drawings that move — it's a bunch of drawings of movement.
The best way, of course, to understand the animator is to see that he parallels the actor. He has the same responsibility a fine actor has.
News and signals about Chuck Jones
The six component signals behind the Fame score, and their ranks across the leaderboards.
Similar profiles worth watching