American film director and screenwriter
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He wanted to be the American Godard but became Hollywood's most unrepentant Hitchcock disciple instead — splitting audiences for fifty years with films that are either hypnotic genre exercises or exploitative trash, depending who's watching.
Born September 11, 1940, De Palma broke through with early cult oddities like Greetings (1968) and Hi, Mom! (1970) before Stephen King's Carrie (1976) announced him as a young director who could make suspense sing. The next decade built his reputation as both craftsman and provocateur: Dressed to Kill (1980) lifted whole sequences from Hitchcock, Blow Out (1981) reworked Antonioni's Blowup, and Scarface (1983) — his remake of the 1932 Hawks original — became a cult monument despite its savagery. The Untouchables (1987) and Mission: Impossible (1996) brought him mainstream commercial wins, but…
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