Alice Cooper
American singer (born 1948) · United States · Musicians
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He turned rock concerts into Grand Guignol theater - guillotines, boa constrictors, fake blood, electric chairs - and made horror props as essential to the genre as power chords. Six decades in, the raspy voice and the vaudeville macabre still define what it means to shock an audience on purpose.
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I'm very romantic, I'm extremely romantic. I date my wife. ... That's one thing guys don't understand.
I call it treason against rock 'n' roll because rock is the antithesis of politics. Rock should never be in bed with politics. ...
Mistakes are part of the game. It's how well you recover from them, that's the mark of a great player.
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Vincent Damon Furnier formed a band in Phoenix in 1964 with four others, and they called the whole thing Alice Cooper. Between 1969 and 1973 they cut seven albums and scored hits like "I'm Eighteen" and "School's Out," drawing from garage rock and horror films to build something theatrical and deliberately unsettling. When the band split in 1975, Furnier took the name for himself legally and went solo with Welcome to My Nightmare. The singles kept coming - "Only Women Bleed," "Poison" - and the stage show only got stranger. Thirty studio albums and fifty million records later, he's in the Rock Hall and running a foundation in Phoenix that gives at-risk kids free access to music and art programs. Offstage he's funny and sharp; onstage he's still the man who made the guillotine a standard piece of rock equipment.
In common with Alice
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