German poet, playwright, and theatre director (1898–1956)
Brecht made German theatre weird on purpose—wrote The Threepenny Opera in 1920s Berlin and spent the rest of his career theorizing why audiences should never get too comfortable watching a play.
Eugen Berthold Friedrich Brecht, known as Bertolt Brecht and Bert Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote The Threepenny Opera with Elisabeth Hauptmann and Kurt Weill and began a lifelong collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, Brecht wrote didactic Lehrstücke and became a leading theoretician of epic theatre and the Verfremdungseffekt.
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