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Bertolt Brecht

German poet, playwright, and theatre director (1898-1956) · Austria · Writers · Died at 58 · also Germany

Bertolt Brecht is read about 3,186 times a day, in 110 languages.

A typical day, 30 days to 15 October 2026

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He made theatre strange on purpose - alienating audiences so they'd think instead of feel. Brecht wanted revolution, not catharsis, and spent decades teaching actors to break the spell.

A life in dates

2026The anniversary of their death, on 14 August.14 August 20261956Died14 August 19561938“Those who lead the country into the abyss / Call ruling too difficult / For ordinary men.”In their words"From a German War Primer" ("Catón de Guerra Alemán", 1938)

1937“Let nothing be called natural / In an age of bloody confusion, / Ordered disorder, planned caprice, / And dehumanized humanity, lest all things / Be held unalterable!”In their wordsThe Exception and the Rule (1937), Prologue

1935“Do not treat me in this fashion. Don't leave me out. Have I not / Always spoken the truth in my books? And now / You treat me like a liar! I order you: / Burn me!”In their wordsA response to the Nazi book burnings, "The Burning of the Books" ("Die Bücherverbrennung", c. 1935)

1934“The main objective is to learn to think crudely. Crude thinking is the great one's thinking.”In their wordsDreigroschenroman (1934), reprinted in Gesammelte Werke, vol. 13 (Frankfurt am Main: Suhrkamp, 1967), 916.

1928“First comes a full stomach, then comes ethics.”In their wordsQuotations from Die Dreigroschenoper using primarily the translation by Desmond Vesey and Eric Bentley (1949; 1960)

1923“People remain what they are even if their faces fall apart.”In their wordsGarga, from In the Jungle of Cities [Im Dickicht der Städte] (1923) , sc. 9; also translated as In the Swamp and Jungle of Cities.

1898Born10 February 1898

Also in Deutsch

Photos 8

In their own words 10

,
Bertolt Brecht
,
10 statements, newest first
  1. Literary works cannot be taken over like factories, or literary forms of expression like industrial methods.

    1938, "The Popular and the Realistic" (written 1938, published 1958), as translated in Brecht on Theatre (1964) edited and translated by John, Own words

  2. Those who lead the country into the abyss / Call ruling too difficult / For ordinary men.

    1938, "From a German War Primer" ("Catón de Guerra Alemán", 1938), Own words

  3. Let nothing be called natural / In an age of bloody confusion, / Ordered disorder, planned caprice, / And dehumanized humanity, lest all things / Be held unalterable!

    1937, The Exception and the Rule (1937), Prologue, Own words

Wikiquote, CC BY-SA 4.0

Awards

National Prize of East Germany
International Stalin Prize for Peace
Star on Playwrights' Sidewalk

Family

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About this person

Eugen Berthold Friedrich Brecht came of age in Weimar Germany, finding early success as a playwright in Munich before moving to Berlin in 1924. There he wrote The Threepenny Opera with Elisabeth Hauptmann and Kurt Weill, began a lifelong collaboration with composer Hanns Eisler, and immersed himself in Marxist thought. He developed epic theatre and the Verfremdungseffekt - techniques meant to jolt audiences into critical distance. When the Nazis took power in 1933, he fled to Scandinavia, then to Southern California during World War II, where he wrote screenplays under FBI surveillance. Subpoenaed by the House Un-American Activities Committee in 1947 for alleged Communist ties, he testified and left for Europe the next day. He settled in East Berlin and co-founded the Berliner Ensemble with his wife, actress Helene Weigel, where he remained until his death in 1956.

Country
Austria
Category
Writers
Type
Writer / Author
Status
deceased
Dates
Lived 1898 to 1956 · aged 58

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