Sergei Eisenstein is read about 1,227 times a day, in 129 languages.
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Something wrong?He turned editing itself into an art form. Eisenstein didn't just cut film - he built a theory of montage that taught the world how images collide to create meaning, and proved it with silent works that still land a century later.
A life in dates
Swineherd and ShepherdFilm, 1941Producer1939Order of LeninAward1938
Alexander NevskyFilm, Director, Writer1933
Eisenstein in MexicoFilm, Director1931
Sentimental RomanceFilm, Director, Writer1928
October (Ten Days that Shook the World)Film, Director, Writer1923
Glumov's DiaryFilm, Director, Writer1898Born10 January 1898Also in Deutsch
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In their own words 1
American capitalism finds its sharpest and most expressive reflection in the American cinema.
Filmography 40
82 credits on file
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Sergei Mikhailovich Eisenstein was born in January 1898 and came up through Soviet cinema in the 1920s, where he directed Strike in 1925 and then Battleship Potemkin the same year - the latter eventually named by Sight and Sound as the 54th-greatest film ever made. October followed in 1928, closing out a silent trilogy that cemented his place as a pioneer in montage theory and practice. He shifted to sound with the historical epic Alexander Nevsky in 1938, then spent years on Ivan the Terrible, released in two parts in 1945 and 1958. He died in February 1948, halfway through that final project, but the method he built - the idea that meaning lives in the cut - outlasted him by generations.
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