French composer
A composer who worked at Notre Dame around 1200 and pushed polyphony from two voices to three and four — expanding what medieval harmony could hold. Almost everything known about him comes from a single anonymous English student who studied in Paris decades later.
Pérotin flourished around 1200 in Paris, tied to the Notre Dame school and the ars antiqua style. He built on the polyphonic work of his predecessor Léonin, introducing three- and four-part harmonies where two had been the norm. A music theorist named Johannes de Garlandia mentioned him briefly, but nearly all surviving detail comes from Anonymous IV, a pseudonymous English student who likely studied in Paris and called him Magister Perotinus — a licensed teacher. Anonymous IV named seven titles from a Magnus Liber, including Viderunt omnes, Sederunt principes, and Alleluia Nativitas, that mat…
The six component signals behind the Fame score, and their ranks across the leaderboards.
Similar profiles worth watching