Paul Schrader
American screenwriter and film director · United States · On the map · Writers · Born 1946 · age 80
Paul Joseph Schrader is an American screenwriter, film director, and film critic. He first became known for writing the screenplay of Martin Scorsese's Taxi Driver (1976).
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Martin Scorsese Directed Taxi Driver and Raging Bull
Willem Dafoe Paul directed Affliction and Dog Eat Dog
Ed Begley, Jr. Paul directed Cat People and Blue Collar
Richard Gere Paul directed American Gigolo and Oh, Canada
Dana Delany Paul directed Light Sleeper and Patty Hearst
Nicolas Cage Paul directed Dying of the Light and Dog Eat DogHarvey Keitel Paul directed Blue Collar (1981)
Christopher Walken Paul directed The Comfort of Strangers and Touch
Natasha Richardson Paul directed The Comfort of Strangers (1990)
Giorgio Moroder Paul directed American Gigolo and Cat People
Moritz Bleibtreu Paul directed The Walker and Adam Resurrected
Michael McKean Paul directed Light of Day and Auto Focus
Tracey Walter Paul directed Blue Collar and Hardcore- Barbara De Fina Produced The Last Temptation of Christ (1988)
Victoria Hill Produced First Reformed (2018)
Helen Mirren Paul directed The Comfort of Strangers (1990)
Francis Ford Coppola Produced Mishima: A Life in Four Chapters (1985)
Richard Schiff Paul directed Touch (1997)
Bridget Fonda Paul directed Touch (1997)
Gus Van Sant Paul directed The Canyons (2013)
Ving Rhames Paul directed Patty Hearst (1988)
Peter Boyle Paul directed Hardcore (1980)
Paul Mazursky Paul directed Touch (1997), also in Na plovarne
Alan Poul Also in Mishima: A Life in Four Chapters (1985)
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He later continued his collaboration with Scorsese, writing or co-writing Raging Bull (1980), The Last Temptation of Christ (1988), and Bringing Out the Dead (1999). Schrader has also worked extensively as a director: his 23 films include Blue Collar (1978), Hardcore (1979), American Gigolo (1980), Mishima: A Life in Four Chapters (1985), Light Sleeper (1992), Affliction (1997), and First Reformed (2017), with the last of these earning him his first Academy Award nomination. Schrader's work frequently depicts "man in a room" stories which feature isolated, troubled men confronting an existential crisis.