We painters use the same license as poets and madmen.
Italian painter of the Renaissance (1528–1588)
He painted biblical banquets so crowded and lavish the Inquisition hauled him in to explain why a Last Supper needed jesters, dwarfs, and dogs. Veronese's answer: he filled empty space how he saw fit. The painting still hangs in Venice, retitled.
Paolo Caliari was born in 1528 and took his name from Verona, but Venice claimed him. After an early flirtation with Mannerism he found his stride under Titian's influence: a naturalist handling color like light through stained glass. The Wedding at Cana arrived in 1563, a vast narrative engine of architecture and pageantry. By 1573 The Feast in the House of Levi landed him before the Inquisition for overcrowding a sacred meal with secular theatre; he changed the title but not a figure. He became the city's ceiling master, draping refectories and halls in chromatic brilliance and aristocratic…
Sourced, dated quotes from Paolo Veronese
We painters use the same license as poets and madmen.
I paint my pictures with all the considerations which are natural to my intelligence, and according as my intelligence understands them.
I had not thought that I was doing wrong; I had never taken so many things into consideration.
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