Louise Bourgeois is read about 730 times a day, in 48 languages.
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Something wrong?She turned childhood wounds into towering sculptures - spiders the size of buildings, cells you could walk into, forms that made the body's fragility and ferocity architectural. Bourgeois made trauma into monuments without asking permission from any movement.
A life in dates
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Photos 8
In their own words 10
I have drawn my whole life.
At the dinner table when I was very little, I would hear people bickering - the father saying something, the mother choosing to defend herself.
England is very, very important to me, because in my family the English could do no wrong.
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Born in Paris on Christmas Day 1911, Louise Bourgeois spent decades as a painter and printmaker before the art world caught up to what she'd been circling: domesticity as battleground, sexuality as raw fact, death and the unconscious given physical weight. Her childhood became her quarry - she mined it for forms, called the process therapeutic, and never stopped. Though she showed alongside the Abstract Expressionists and shared territory with Surrealism and feminist art, she refused formal allegiance to any camp. The large-scale sculptures and installations that made her name arrived late, but they arrived unmistakably: structures you could enter, steel and fabric holding memory's shape. She worked until her death in New York on the last day of May 2010, having spent nearly a century making private ghosts into public encounters.
In common with Louise
Artists from France 1
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