also United StatesShe sings in Mixtec, Zapotec, Mayan, Nahuatl, Purépecha - languages most radio never touches - and somehow that became the bridge to international success. Lila Downs didn't translate Mexico's indigenous music for export; she made the world meet it where it stands.
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In their own words 10
The border still doesn't make much sense in my mind.
On how the border between the U.S. and Mexico influenced her work in “Mex factor” in The Guardian (2003 Feb 10)
We [as Latinxs] got to be there representing, explaining, and translating…It’s the only way we are going to have people come together.
On Downs’ ongoing quest to learn and incorporate indigenous languages in her music in “Lila Downs Explores Mexican Heritage Through the
I think that I have influenced several generations of performers in Mexico. I’m proud of that because it isn’t easy in these scenes.
On being a folk musician in “Lila Downs Explores Mexican Heritage Through the Pepper in New LP, ‘Al Chile’” in Rolling Stone (29 May 2019)
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Natalia LafourcadeAlso in Lila Downs - Desde Bellas Artes México (2022)
Aleks SyntekAlso in La Sonora Santanera - La Fiesta Continúa (2017)
Salman RushdieAlso in River of Fundament (2014)
Pedro FernándezAlso in La Sonora Santanera - La Fiesta Continúa (2017)
Antonio BanderasAlso in Frida (2002)
Shawn AshmoreAlso in Mariachi Gringo (2012)About this person
Born 9 September 1968 in Oaxaca, Ana Lila Downs Sánchez studied at the Institute of Arts by Oaxaca and briefly attended the University of Minnesota before leaving to perform in Oaxaca City's traditional music scene. Her independent debut Ofrenda arrived in 1994; prominence came five years later with La sandunga, then international reach in 2001 with Border. By 2011 Pecados y milagros was topping charts across major markets, followed by Balas y Chocolate in 2015 and Salón Lágrimas y Deseo in 2017. Fluent in Spanish, Mixtec, and English, she's spent years working to preserve Indigenous Mexican languages through activism and performance. She's collected one Grammy and three Latin Grammys, wore the traditional dress of Mexico's indigenous peoples as stage armor, and built a career that treats Chavela Vargas and Mercedes Sosa as the blueprint rather than the past.
Text from Wikipedia, CC BY-SA 4.0
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