She turned Harajuku street style into a sound - candy-coated J-pop with videos so weird they ricocheted across the internet. A decade on, the pastel wigs and decora aesthetic still define what the world pictures when it hears "kawaii culture," and the numbers show she moved units while doing it.
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Ayumi ItōAlso in People Just Do Nothing: Big in Japan (2021)
Tomoyo KurosawaAlso in Crayon Shin-chan: Crash! Scribble Kingdom and Almost Four Heroes (2020)
Jōji NakataAlso in Crayon Shin-chan: Crash! Scribble Kingdom and Almost Four Heroes (2020)
Jūrōta KosugiAlso in Crayon Shin-chan: Crash! Scribble Kingdom and Almost Four Heroes (2020)Musicians from Japan 1
About this person
Kiriko Takemura came up through Tokyo's Harajuku fashion scene and debuted as Kyary Pamyu Pamyu in 2011 with "Pon Pon Pon," a single that cracked Japan's top ten and spawned a video that went viral worldwide. Producer Yasutaka Nakata wrote and produced everything that followed: the debut album Pamyu Pamyu Revolution in 2012, then Nanda Collection, Pika Pika Fantajin, Japamyu, and Candy Racer through 2021. Hits like "Fashion Monster," "Candy Candy," and "Ninja Re Bang Bang" kept her chart-visible in Japan while the visual spectacle - her in layers of tulle and neon, singing in a language most viewers didn't speak - made her a crossover curiosity in the West. By early 2020 she'd sold nearly a million physical copies and over 2.25 million digital singles, and built a second career as a model and TV personality. The aesthetic stuck: she remains the face people summon when they try to picture modern Japanese pop excess.
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