French composer (1842–1912)
The man who owned Parisian opera for a generation. Massenet wrote more than thirty operas — two, Manon and Werther, still anchor repertoires worldwide — and knew exactly what would land with an audience. By his death in 1912 critics already called him safe and second-rate, but the work keeps proving them half-wrong.
Massenet entered the Paris Conservatoire as a boy and studied under Ambroise Thomas, winning the Prix de Rome in 1863. Over the next forty-five years he wrote more than forty stage works — opéra-comique, mythic spectacles, lyric dramas, ballets — pumping out hits with a sharp sense of what the Parisian public wanted. Between 1878 and 1896 he taught composition at the Conservatoire; Charpentier, Chausson, Hahn, and Pierné passed through his studio. By the time he died in 1912 the taste had moved and he looked old-fashioned, but Manon and Werther never left the stage. Mid-century reassessment pu…
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