Jean Renoir is read about 700 times a day, in 67 languages.
A typical day, 30 days to 15 October 2026
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Something wrong?He made two films in the 1930s that critics still call untouchable - La Grande Illusion and The Rules of the Game - and developed a visual signature so distinct it could be spotted in a single frame among thousands.
A life in dates
The Christian Licorice StoreFilm1963Prix Charles BlancAward1962
The Elusive CorporalFilm, Director, Writer1959
DiscoramaSeries
Picnic on the GrassFilm, 1959Director, Writer1956
CinépanoramaSeries1955
French CancanFilm, Director, Writer1951
The RiverFilm, Director, Writer1946
A Day in the CountryFilm, Director, Writer1943
The Amazing Mrs. HollidayFilm, Director1938
La Bête HumaineFilm, Director, Writer1937Louis Delluc PrizeAward1936
Life Is OursFilm, Director, Writer1934
Madame BovaryFilm, Director, Writer1931
Baby's LaxativeFilm, Director, Writer1928
The Little Match GirlFilm, Director, Writer1926
NanaFilm, Director, Producer1915
Those of Our LandFilm1894Born15 September 1894Also in Deutsch
Photos 8
Filmography 40
128 credits on file
Television 3
Awards
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Jean Renoir was born 15 September 1894, the son of painter Pierre-Auguste Renoir, and spent a lifetime translating his father's eye for human warmth onto film. La Grande Illusion arrived in 1937, followed two years later by The Rules of the Game, both of which secured his place among directors whose work redefined what cinema could express about our shared absurdities and desires. He moved between countries and forms with ease: The River in 1951 became the first color film shot in India, made with his nephew, cinematographer Claude Renoir, while The Golden Coach and French Cancan turned his longtime love of theater into something strange and stylized. In 2002, the BFI ranked him fourth among the greatest directors ever, and in 1975 he received a Lifetime Achievement Academy Award - recognition for a body of work that critic Pauline Kael said captured "the beauty in our common humanity." He died 12 February 1979, leaving behind a line from The Rules of the Game that doubles as his epitaph: "Everyone has his reasons."
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