One has a nose. The nose scents and it chooses. An artist is simply a kind of pig snouting truffles.
Russian, French, and American composer (1882–1971)
The Rite of Spring nearly started a riot at its 1913 premiere, and Stravinsky spent the next half-century proving that shock wasn't luck. He rewrote the rules of rhythm, then abandoned his own style twice more—Russian folklore, then neoclassical forms, then twelve-tone serialism—leaving each genre transformed.
Born into a musical family in Saint Petersburg in 1882, Stravinsky studied law before Nikolai Rimsky-Korsakov took him on as a pupil. Impresario Sergei Diaghilev commissioned three ballets for Paris—The Firebird, Petrushka, and the scandalous Rite of Spring—that made him a name by 1913. He moved through three distinct periods: Russian folk-inflected works like Les noces, a neoclassical stretch drawing on Greek myth and sonata form (Apollon musagète, Oedipus rex), and finally a serial phase adopting twelve-tone technique in pieces like In Memoriam Dylan Thomas. The constant reinvention baffled…
Sourced, dated quotes from Igor Stravinsky
One has a nose. The nose scents and it chooses. An artist is simply a kind of pig snouting truffles.
My music is best understood by children and animals.
As for myself, I need music for hygienic purposes, for the health of my soul. Without music in its best sense there is chaos.
The trouble with music appreciation in general is that people are taught to have too much respect for music; they should be taught to love it instead.
The phenomenon of music is given to us with the sole purpose of establishing an order in things, including, and particularly, the co-ordination between man [sic] and time.
The six component signals behind the Fame score, and their ranks across the leaderboards.
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