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Something wrong?Matisse made colour do things it hadn't done before - not just bright, but structurally load-bearing, the way other painters used line. That gamble, and the fifty years of invention that followed, put him next to Picasso as the hinge between centuries.
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Rules have no existence outside of individuals: otherwise a good professor would be as great a genius as Racine.
Expression for me does not reside in passions glowing in a human face or manifested by violent movement.
For me all is in the conception. I must therefore have a clear vision of the whole from the beginning.
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Born in 1869, Henri Émile Benoît Matisse trained as a draughtsman and sculptor but found his edge as a painter. Between 1900 and 1905 his work turned so aggressively chromatic that critics dubbed him and his circle the Fauves - wild beasts. He spent the next decade after 1906 tightening that wildness into something harder: flattened forms, decorative pattern, a rigorous new syntax. In 1917 he moved to Nice, and through the 1920s his work softened enough to win him praise as a guardian of French classical painting. After 1930 he simplified further, paring down to essentials. When illness stopped him from holding a brush, he turned to cut paper and produced a final body of collage work that proved he could still invent. He died in 1954, having spent more than half a century redrawing the expressive possibilities of colour and form.
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