What I am after, above all, is expression.
French artist (1869-1954)
Matisse made colour do things it hadn't done before — not just bright, but structurally load-bearing, the way other painters used line. That gamble, and the fifty years of invention that followed, put him next to Picasso as the hinge between centuries.
Born in 1869, Henri Émile Benoît Matisse trained as a draughtsman and sculptor but found his edge as a painter. Between 1900 and 1905 his work turned so aggressively chromatic that critics dubbed him and his circle the Fauves — wild beasts. He spent the next decade after 1906 tightening that wildness into something harder: flattened forms, decorative pattern, a rigorous new syntax. In 1917 he moved to Nice, and through the 1920s his work softened enough to win him praise as a guardian of French classical painting. After 1930 he simplified further, paring down to essentials. When illness stoppe…
Sourced, dated quotes from Henri Matisse
What I am after, above all, is expression.
Expression, to my way of thinking, does not consist of the passion mirrored upon a human face or betrayed by a violent gesture. The whole arrangement of my picture is expressive.
In a picture every part will be visible and will play the role conferred upon it, be it principal or secondary. All that is not useful in the picture is detrimental.
Rules have no existence outside of individuals: otherwise a good professor would be as great a genius as Racine.
Expression for me does not reside in passions glowing in a human face or manifested by violent movement.
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