Modern European composers ... have very largely received their stimulus, their rhythms and impulses from Machine Age America.
American composer and pianist (1898–1937)
He wrote the clarinet glissando that opens Rhapsody in Blue, the lullaby "Summertime", and the first musical to win a Pulitzer for drama — all before turning forty. Gershwin bent American sound until jazz, Broadway, and the concert hall couldn't be pulled apart.
Born Jacob Gershwine in 1898, he studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody, starting out as a song plugger before writing Broadway shows with his brother Ira and Buddy DeSylva. When he moved to Paris hoping to study with Nadia Boulanger, she turned him down — afraid formal training would wreck his jazz style; Maurice Ravel said the same. He composed An American in Paris anyway, came home, and in 1935 finished Porgy and Bess with Ira and DuBose Heyward, an opera that flopped commercially but later became an American classic. He mov…
Sourced, dated quotes from George Gershwin
Modern European composers ... have very largely received their stimulus, their rhythms and impulses from Machine Age America.
Not many composers have ideas. Far more of them know how to use strange instruments which do not require ideas.
A skyscraper is at the same time a triumph of the machine and a tremendous emotional experience, almost breath-taking.
When jazz is played in another nation, it is called American. When it is played in another country, it sounds false. Jazz is the result of the energy stored up in America.
An entire composition written in jazz could not live.
The six component signals behind the Fame score, and their ranks across the leaderboards.
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