Éric Rohmer is read about 889 times a day, in 52 languages.
A typical day, 30 days to 16 September 2026
The middle day of the days counted, so one week of news cannot move it. The line under it is the last 60 days, one point a day.
Something wrong?He came last and lasted longest. While Godard and Truffaut stormed the barricades, Éric Rohmer edited Cahiers du cinéma and waited - then spent four decades making quiet, talky films about desire and moral furniture that somehow kept finding an audience.
A life in dates
Leçon de CinémaSeries
Triple AgentFilm, 2004Director, Writer2001Golden Lion for Lifetime AchievementAward1996
A Summer's TaleFilm, Director, Writer1995
Les rendez-vous de ParisSeries, Director, Writer1993
The Tree, the Mayor and the MediathequeFilm, Director, Writer1990David di Donatello Luchino ViscontiAward1987
Boyfriends and GirlfriendsFilm, Director, Writer1986Golden LionAward1984
Full Moon in ParisFilm, Director, Writer1983Silver Bear for Best DirectorAward1981
The Aviator's WifeFilm, Director, Writer1978
Ciné regardsSeries1976Cannes Film Festival Grand PrixAwardNational Board of Review Award for Best Foreign Language FilmAward
The Marquise of OFilm, 1976Director, Writer1975
ArenaSeries1971National Board of Review Award for Best Foreign Language FilmAward
Out 1Series, 1971Le balzacien1970Louis Delluc PrizeAwardNational Society of Film Critics Award for Best ScreenplayAward
Claire's KneeFilm, 1970Director, Writer1968
A Farmer in MontfauconFilm, Director1967Silver Bear Grand Jury PrizeAward1965
Six in ParisFilm, Director, Writer1963
Suzanne's CareerFilm, Director, Writer1956
The Kreutzer SonataFilm, Director1951
Presentation, or Charlotte and Her SteakFilm, Director, Writer1920Born21 March 1920Also in Deutsch
Photos 3
Filmography 40
180 credits on file
Television 5
Awards
Family
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Correct this familyAbout this person
Born Maurice Schérer in 1920, he was a critic and teacher before he was a director, editing Cahiers du cinéma from 1957 to 1963 while his New Wave colleagues were already shooting. International recognition arrived around 1969 when My Night at Maud's earned an Academy Award nomination. He won San Sebastián for Claire's Knee in 1971 and the Golden Lion at Venice for The Green Ray in 1986. In 2001 Venice gave him a Career Golden Lion. He died in January 2010, outlasting the movement that made him, still drawing crowds late into his eighties.
In common with Éric
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