Carl Philipp Emanuel Bach

German composer (1714–1788)

  • Fame58.6
  • Momentum0.0
  • Wikipedia14.7K
Source-basedStable
Lived 1714–1788, aged 74Germany
Germany flagGermanyMusiciansSinger / Musician
  • Wikipedia
    63 languages
    Cross-language footprint
  • Era
    1714–1788
    Aged 74
Summary
Updated 2026-06-10

The second son of Johann Sebastian Bach who refused to write like his father. He built the bridge between Baroque grandeur and Classical restraint, then taught Haydn, Mozart, and Beethoven how to play.

Biography

About

Born 8 March 1714, the fifth child of Johann Sebastian Bach and Maria Barbara Bach, he grew up inside the engine room of Baroque music but chose a different path. He became the principal voice of the empfindsamer Stil — the "sensitive style" — writing keyboard music that anticipated Romantic expressiveness in deliberate contrast to the statuesque forms his father had mastered. Known as the "Berlin Bach" during his years in that city, he later succeeded his godfather Georg Philipp Telemann as Kapellmeister in Hamburg, earning the title "Hamburg Bach." His treatise "Essay on the true art of play…

Voice

In their own words

Sourced, dated quotes from Carl Philipp Emanuel Bach

Carl Philipp Emanuel Bach
said
According to my principles, every master has his true and certain value. Praise and criticism cannot change any of that.
Response to a story in the European Magazine which had accused him of harshly criticizing Joseph Haydn (14 September 1785), as quoted in
Carl Philipp Emanuel Bach
said
More often than not, one meets technicians, nimble keyboardists by profession, who … indeed astound us with their prowess without ever touching our sensibilities ....
Essay on the True Art of Playing Keyboard Instruments [Versuch über die wahre Art das Clavier zu spielen] (1753), as translated by William
Carl Philipp Emanuel Bach
saidundated
A musician cannot move others unless he too is moved.
As quoted in Composers on Music : An Anthology of Composers' Writings from Palestrina to Copland (1956) by Sam Morgenstern, p. 60
Press play

Listen & Watch

Spotify
Deep cuts

Albums

Low confidence
  • Harpsichord Concertos Wq. 3, 32, 44, 45
    1998
  • The Solo Keyboard Music, Volume 2
    1998
  • The Solo Keyboard Music, Volume 1
    1998
  • Keyboard Sonatas
    1998
  • 3 Flute Concertos
    1997
  • The Three Cello Concertos
    1997
  • The Complete Keyboard Concertos, Volume 5
    1997
  • The Complete Keyboard Concertos, Volume 4
    1997
  • Organ Sonatas
    1997
By the numbers

Score breakdown

The six component signals behind the Fame score, and their ranks across the leaderboards.

Fame
Stable
58.6
Composite of search demand, mentions, audience & graph footprint.
Score components
Historical24.5
Source confidence70.0
Completeness80.0
Global rank
Country rank
Category rank
Receipts

Sources

  • Wikipedia
    wikipedia · en.wikipedia.org
    High confidence
  • Wikidata
    wikidata · wikidata.org
    High confidence
  • Pantheon 2.0
    database · pantheon.world
    High confidence