Asta Nielsen is read about 155 times a day, in 62 languages.
A typical day, 30 days to 15 October 2026
The middle day of the days counted, so one week of news cannot move it. The line under it is the last 390 days, one point a day.
Something wrong?She had the face that taught cinema how to act. In the 1910s, when most performers still gestured like stage players, Asta Nielsen gave the camera something smaller and truer - and became the first actress whose fame crossed borders before Hollywood existed.
A life in dates
Tragedy of the StreetFilm, Auguste - Old Street Walker1925AthletesFilm, Prinzessin Wanda Hoheneck1923
Earth SpiritFilm, Lulu1922
Revenge of the BanditsFilm, Anica1920Steuermann HolkFilm, Isabella Bouflon1919In the Eyes of the LawFilm, Sonja Waler - Journalist - Her Daughter1917The Orphanage ChildFilm, Esther1916
Dora BrandesFilm, Dora Brandes1914
Little AngelFilm, Jesta1913
The Film Prima DonnaFilm, Ruth Breton1911
Gypsy BloodFilm, Jonna1910
The AbyssFilm, Magda Vang1881Born11 September 1881Also in Deutsch
Photos 8
Filmography 40
88 credits on file
Television 1
Awards
In their orbit 2
About this person
Born in Denmark in 1881, Nielsen made seventy of her seventy-four films in Germany, where audiences knew her simply as Die Asta. Her large dark eyes, mask-like face, and boyish frame became the template for passionate women caught in tragic circumstances, and the erotic charge of her work got her censored in the United States. She's credited with pulling movie acting away from overt theatricality toward naturalism - the shift that made screen performance its own language. In the 1920s she founded her own studio in Berlin, then left for Denmark in 1937 when the Nazis rose. She spent her final decades out of view, making collages and writing, and died in 1972.
In common with Asta
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