For me the most interesting characters are outwardly static, but inwardly charged by an overriding passion.
Soviet and Russian film director, screenwriter, film editor, film theorist, theatre and opera director (1932–1986)
Soviet director whose seven films—slow, spiritual, built from long takes and light moving through water—are studied like scripture by people who think cinema can be more than entertainment.
Andrei Tarkovsky studied under Mikhail Romm at the All-Union State Institute of Cinematography and made his first five features in the Soviet Union between 1962 and 1979: Ivan's Childhood, Andrei Rublev, Solaris, Mirror, and Stalker. Years of friction with state film authorities led him to leave the country in 1979; he completed two final films abroad, Nostalghia in 1983 and The Sacrifice in 1986. That same year he published Sculpting in Time, a book on cinema and art, and died of cancer possibly linked to toxic conditions on the Stalker set. He won the Golden Lion at Venice for Ivan's Childho…
Sourced, dated quotes from Andrei Tarkovsky
For me the most interesting characters are outwardly static, but inwardly charged by an overriding passion.
I have to say from the outset that not all prose can be transferred to the screen.
I find poetic links, the logic of poetry in cinema, extraordinarily pleasing.
Art is born and takes hold wherever there is a timeless and insatiable longing for the spiritual, for the ideal: that longing which draws people to art.
The idea of infinity cannot be expressed in words or even described, but it can be apprehended through art, which makes infinity tangible.
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