To be international, you have to first be local. ...
Iranian film director, screenwriter, photographer and film producer (1940-2016)
He built a cinema of questions without answers: conversations in cars, children lost in mountain villages, the line between documentary and fiction blurred until you couldn't tell which mattered more. Kiarostami's films turned everyday Iranian life into allegory so slippery it passed censors and won Cannes.
Abbas Kiarostami started directing in 1970 and spent the next forty-six years making over forty films that redefined what cinema could quietly do. He came up with the Iranian New Wave, a generation that used poetic dialogue and allegory to say what couldn't be said directly. The Koker trilogy and Close-Up in the late eighties and early nineties built his reputation for child protagonists, rural settings, and stories shot like documentaries. Taste of Cherry took the Palme d'Or at Cannes in 1997. He kept working — The Wind Will Carry Us in 1999, then Certified Copy in Italy and Like Someone in L…
Sourced, dated quotes from Abbas Kiarostami
To be international, you have to first be local. ...
The calling of art is to extract us from our daily reality, to bring us to a hidden truth that's difficult to access - to a level that's not material but spiritual.
From my very first movie, what was my concentration, my inspiration, was I didn't want to narrate something, I didn't want to tell a story.
Believe me, I am still very surprised that I managed to make that film [Close-Up].
My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated.
The six component signals behind the Fame score, and their ranks across the leaderboards.
Similar profiles worth watching