He wrote the blueprint for every modern dystopia - a 1921 novel so dangerous the Soviets banned it before Orwell ever picked up a pen. The Bolshevik who turned his pen on the Revolution became the first writer the Party couldn't silence or break.
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True literature can exist only when it is created, not by diligent and reliable officials, but by madmen, hermits, heretics, dreamers, rebels and skeptics.
"I Am Afraid" (1921) p. 57, in: A Soviet Heretic. trans. Mirra Ginsberg (London: Quartet Books, 1991). p. 53-58
Every today is at the same time both a cradle and a shroud: a shroud for yesterday, a cradle for tomorrow.
"Tomorrow" (1919), as translated in A Soviet Heretic: Essays by Yevgeny Zamyatin (1970) edited and translated by Mirra Ginsberg
Yesterday, there was a tsar, and there were slaves; today there is no tsar, but the slaves remain; tomorrow there will be only tsars.
"Tomorrow" (1919), as translated in A Soviet Heretic : Essays by Yevgeny Zamyatin (1970) edited and translated by Mirra Ginsburg
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About this person
The son of a Russian Orthodox priest, Zamyatin abandoned Christianity early and joined the Bolsheviks, enduring arrest, beatings, imprisonment, and exile under the Tsar. The October Revolution brought no relief: he found the All-Union Communist Party's enforced conformity and rising totalitarianism just as suffocating. In 1921 he published We, a dystopian science fiction novel set in a futuristic police state that became the first work banned by Soviet censorship. Zamyatin smuggled it West; the Party and Union of Soviet Writers mounted a campaign of defamation and blacklisting so total he petitioned Stalin directly for exit. He died in poverty in Paris in 1937, but his samizdat writings kept circulating underground, lighting the path for generations of dissidents who followed.
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