Rogério Sganzerla was a Brazilian filmmaker. One of the main names of the cinema marginal underground movement, his most known work is The Red Light Bandit (1968). Sganzerla was influenced by Orson Welles, Jean-Luc Godard, and José Mojica Marins, and often used clichés from film noir and pornochanchadas.
Text from Wikipedia, CC BY-SA 4.0
Photos 1
Filmography 40
The Red Light Bandit
Copacabana Mon Amour
The Woman of Everyone
No Way, Spider
The Sign of Chaos
Glauber Rocha - The Movie, Brazil's Labyrinth
Baron Olavo, The Horrible
Documentário
It's Not All True
Watch Out, Madame
Brasil
Light in Darkness: The Return of Red Light Bandit
The Hullabaloo Family
It's All Brazil
Comics
The Abyss
My Calendar Girl
The Long Voyage of the Yellow Bus
Isto é Noel Rosa
A Marca do Terrir
A Miss e o Dinossauro
Welles' Language
Dunas do Barato
Horror Palace Hotel
A Cidade do Salvador (Petróleo Jorrou na Bahia)
Ivan, the TerrirBle
Audácia!
Perigo Negro
Noel por Noel
Informação H. J. Koellreutter
Candango: Memoirs from a Festival
A Mulher da Luz Própria
Ritos Populares: Umbanda no Brasil
Anônimo e incomum
Travel and Description of the Guanabara River on the Occasion of Antarctic France
Oswaldianas
Mr. Sganzerla: Os Signos da Luz
B2
Rogério Sganzerla Send His Message to Brazil114 credits on file
Awards 1
In their orbit 1
Directors from Brazil 6
About this person
Rogério Sganzerla was a Brazilian filmmaker. One of the main names of the cinema marginal underground movement, his most known work is The Red Light Bandit (1968). Sganzerla was influenced by Orson Welles, Jean-Luc Godard, and José Mojica Marins, and often used clichés from film noir and pornochanchadas. Irony, narrative subversion and collage were trademarks of his film aesthetics.
Text from Wikipedia, CC BY-SA 4.0
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