This happened in 1912. Cubism was in full force. I made paintings that seemed like prisms compared to the Cubism my fellow artists were producing. I was the heretic of Cubism.
French painter (1885–1941)
He split light into motion. Delaunay turned the Eiffel Tower into rhythmic colour and made the canvas pulse like a prism—Orphism, they called it, a geometry that sang.
Robert Delaunay was born 12 April 1885 in France and found his place in the School of Paris. With his wife Sonia and a handful of others, he co-founded Orphism around 1912, an art movement built on strong colour and geometric shapes that broke from the monochrome severity of early Cubism. His approach wasn't about fracturing form alone—it was about making colour structural, pushing depth and tone until they vibrated. As the years passed his work grew more abstract, the experiments bolder, the hues unrepentant. He died 25 October 1941, leaving behind canvases that still hum.
Sourced, dated quotes from Robert Delaunay
This happened in 1912. Cubism was in full force. I made paintings that seemed like prisms compared to the Cubism my fellow artists were producing. I was the heretic of Cubism.
The woman of City of Paris' [Delaunay painted in 1910 – 1912] sums up the [his] Cubist period..
Simultaneousness' is a technique. Simultaneous contrast is the most up-to-date honey of this technique in this field.
What they are saying is okay [the Futurist artists like Severini, Carra and Russolo, who debated in Paris intensively with the Cubist artists].
As long as art cannot get free from the object, it will continue to be a description.
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