Raymond Chandler
American novelist and screenwriter (1888-1959) · United States · Writers · Died at 70
Raymond Chandler is read about 1,343 times a day, in 66 languages.
A typical day, 30 days to 15 October 2026
The middle day of the days counted, so one week of news cannot move it. The line under it is the last 390 days, one point a day.
Something wrong?He invented the voice American crime fiction still speaks in - hard-boiled, lyrical, cynical enough to ache. Philip Marlowe, his private detective, became the template: wised-up and heartbroken, walking mean streets without becoming mean himself.
A life in dates
Also in Deutsch
Photos 6
In their own words 10
The private detective of fiction is a fantastic creation who acts and speaks like a real man.
When you read a story, you accept its implausibilities and extravagances, because they are no more fantastic than the conventions of the medium itself.
[As a screenwriter] I have a sense of exile from thought, a nostalgia of the quiet room and balanced mind.
Awards
In their orbit
About this person
Raymond Thornton Chandler came to detective writing late, at forty-four, after the Depression cost him his oil executive job in 1932. His first short story, "Blackmailers Don't Shoot", appeared in Black Mask in 1933; The Big Sleep followed in 1939. He published seven novels in his lifetime, nearly all adapted to film, some more than once. Alongside Dashiell Hammett and James M. Cain, he founded the hardboiled school, but his stylistic influence ran deeper - a blend of toughness and unexpected poetry that reshaped American popular literature. The Big Sleep placed second on the Crime Writers' Association poll of the 100 best crime novels; Farewell, My Lovely, The Lady in the Lake, and The Long Goodbye also made the list. The Long Goodbye was later praised as "arguably the first book since Hammett's The Glass Key, published more than twenty years earlier, to qualify as a serious and significant mainstream novel that just happened to possess elements of mystery." He was a perceptive critic, too: his essay "The Simple Art of Murder" remains the canonical statement on detective fiction, defining the detective as "a man of honor - by instinct, by inevitability, without t
In common with Raymond
Fame.am measures public visibility signals. It does not measure human value, talent, morality, or credibility.