He took Renaissance order - the calm geometry Florence had perfected - and unmoored it. Pontormo's figures twist in space with no clear floor beneath them, floating in a gravitational void that still unsettles five centuries later.
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Photos 8
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Vite de' più eccellenti pittori, scultori e architetti (1791) (14578560789)
Adam et ève chassés du paradis Pontormo
Anonyme France XVIIe siècle - Clément VII, pape, MV 3134
Cappella della compagnia di s. luca, int, montorsoli, lapide tomba comune artisti 01
Cappella della compagnia di s. luca, int, montorsoli, lapide tomba comune artisti 02
Cappella della compagnia di s. luca, int, montorsoli, lapide tomba comune artisti 03
Chapelle funéraire, EBA00489-75990In their orbit
About this person
Jacopo Carucci was born May 24, 1494, and took the name Pontormo from his birthplace near Florence. He came up through the Florentine School but broke sharply with its perspectival certainty, pushing into Mannerism when that shift was neither safe nor expected. His paintings abandoned stable ground: bodies coil and suspend in ambiguous space, poses twining into one another, perspective collapsing into something dreamlike and vertiginous. The work marked a profound stylistic rupture from the Renaissance regularity that had defined his training. He died January 2, 1557, having spent three decades making gravity optional.
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