Pedro Calderón de la Barca is read about 535 times a day, in 80 languages.
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Something wrong?The Spanish playwright who staged metafiction and surrealism centuries before those words existed - and whose 1623 debut happened to coincide with an English prince's awkward visit to Madrid looking for a bride.
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Absence is the death of love.
Pues quien vence sin contrario, No puede decir que vence.
J. M. and M. J. Cohen (eds.) The Penguin Dictionary of Quotations (Penguin Books, 1960)
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Calderón de la Barca was born into minor nobility in Madrid on 17 January 1600, served as soldier and knight of the Order of Santiago, then turned Roman Catholic priest. His theatrical debut, a history play about King Edward III of England, premiered on 29 June 1623 at the Royal Alcázar during Charles, Prince of Wales's surprise visit to negotiate a Habsburg marriage. Writing as Lope de Vega was still defining the rules of Spanish Golden Age theatre, Calderón pushed past them: mystery plays on Transubstantiation for Corpus Christi, comedies of intrigue, tragedies built on honour codes and the same devices Shakespeare used. His masterpiece, La Vida es Sueño, braids beauty-and-beast, a Viola-like disguised woman, surrealist concepts, romantic tangles, and looming civil war around the question of fate versus free will. The influence radiated outward to Goethe, Shelley, Borges, Pasternak; in 1881 the Royal Spanish Academy gave Irish poet Denis Florence MacCarthy a gold medal for translating him. He died 25 May 1681, and in 2021 the search for his missing remains made global news.
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