A writer should always bravely face life, risking death and mutilation in order to dethrone an emperor.
Chinese novelist and screenwriter
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He writes novels where folk myth bleeds into recent history until you can't tell which is memory and which is fever dream — a style the Nobel committee called "hallucinatory realism" when they gave him the literature prize in 2012.
Born Guan Moye on 5 March 1955, he adopted the pen name Mo Yan — "don't speak" — and broke through in 1984 with the novella A Transparent Radish. Two years later came Red Sorghum, the novel that made him internationally visible; its first sections became the 1988 film that won the Golden Bear. His fiction folds Chinese folklore and twentieth-century turmoil into each other until the seams disappear. In 2012 the Nobel Prize in Literature recognised that fusion, citing work that merges folk tales, history, and the contemporary through hallucinatory realism.
Sourced, dated quotes from Mo Yan
A writer should always bravely face life, risking death and mutilation in order to dethrone an emperor.
Am I drunk?" he asked Crewcut. "You're not drunk, Boss," Crewcut replied. "How could a superior individual like you be drunk?
A tidal wave of trucks and carts moved slowly, inexorably toward the now open gate, bumping and clanging into each other as they squeezed through.
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