Luis de Pablo
Spanish composer (1930-2021) · Spain · On the map · Musicians · Died at 91
Luis de Pablo Costales was a Spanish composer belonging to the generation that Cristóbal Halffter named the Generación del 51. Mostly self-taught as a composer and influenced by Maurice Ohana and Max Deutsch, he co-founded ensembles for contemporary music, and organised concert series for it in Madrid.
Luis de Pablo is read about 18 times a day, in 19 languages.
A typical day, 30 days to 13 June 2026
The middle day of the days counted, so one week of news cannot move it. The line under it is the last 60 days, one point a day.
Something wrong?A life in dates
People around Luis
Geraldine Chaplin Luis wrote Mamá cumple cien años (1979)
Fernando Sánchez Polack Luis wrote Peppermint Frappé and La caza
José María Prada Luis wrote Ana and the Wolves and La caza- Fabián Panisello Studied under Luis
Héctor Alterio Luis wrote What Max Said and Pascual Duarte
Fernando Fernán Gómez Luis wrote The Spirit of the Beehive (1974)
José Luis López Vázquez Luis wrote Peppermint Frappé (1967)
Alfredo Mayo Luis wrote Peppermint Frappé and La caza
Daniel Martín Luis wrote The Last Meeting and La busca
Marisa Porcel Luis wrote Ana and the Wolves (1975)
Carlos Saura Directed The Garden of Delights (1970)
Jacques Perrin Luis wrote Goya, historia de una soledad (1971)
Francisco Rabal Luis wrote Goya, historia de una soledad (1971)
Kiti Mánver Luis wrote What's a Girl Like You Doing in a Place Like This? (1978)
Mercedes Sampietro Luis wrote To an Unknown God (1977)
Rafaela Aparicio Luis wrote Mamá cumple cien años (1979)
Elías Querejeta Produced The Garden of Delights (1970)
María Asquerino Luis wrote Goya, historia de una soledad (1971)
Lola Gaos Luis wrote La busca and Sound of Horror
Laly Soldevilla Luis wrote The Spirit of the Beehive (1974)
Yelena Samarina Luis wrote To an Unknown God (1977)
Inma de Santis Luis wrote Goya, historia de una soledad (1971)
Luis de PabloPartners
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About this person
He published translations of notable texts about composers of the Second Viennese School, such as Hans Heinz Stuckenschmidt's biography of Arnold Schoenberg and the publications of Anton Webern. He wrote music in many genres, including film scores such as Erice's The Spirit of the Beehive, and operas including La señorita Cristina. He taught composition not only in Spain, but also in the U.S. and Canada. Among his awards is the Premio Nacional de Música.
