Lee Chang-dong
South Korean film director, screenwriter and novelist · South Korea · On the map · Directors · Born 1954 · age 72
Lee Chang-dong is a South Korean film director, screenwriter, and novelist. He has directed six feature films: Green Fish (1997), Peppermint Candy (1999), Oasis (2002), Secret Sunshine (2007), Poetry (2010), and Burning (2018).
Lee Chang-dong is read about 1,123 times a day, in 27 languages.
A typical day, 30 days to 3 November 2026
The middle day of the days counted, so one week of news cannot move it. The line under it is the last 401 days, one point a day.
Something wrong?A life in dates
Mr. Kim Goes to the CinemaFilm2024
Walking in the MoviesFilm2022
HeartbeatFilm, Director, Writer2019
BirthdayFilm, Producer2018“To be honest, it’s very difficult to explain what stories I see fit to become a film or not.”In their words10 December 2018The Hollywood Reporter“When I used to write novels, I always wrote for one person, for this person who thought and felt the same way as I do.”In their words10 December 2018The Hollywood Reporter“I have to wonder how much obvious messages like ‘justice prevails’ would affect our lives, which leads me to make films that ask questions.”In their words27 May 2018The Korea Herald“I’ve never made films that delivers messages, nor have I ever felt the urge to make such pieces. I just like to ask questions.”In their words27 May 2018The Korea Herald
BurningSeries, 2018Creator2016
The World of UsFilm, Producer2014
A Girl at My DoorFilm, Producer2013
Hwayi: A Monster BoyFilm, Producer2011“Poems are about things and occurrences that we don’t see visually, it’s the needing of beauty and meaning, that’s what poetry can be.”In their words8 February 2011Indie Wire“It’s very different between writing a novel and making a film, in a novel you’re using language to bring a story to life, so through this you’re speaking of it.”In their words8 February 2011Indie WireAsian Film Award for Best DirectorAward2010
PoetryFilm, Director, Writer2009
A Brand New LifeFilm, Writer, Producer2008Asian Film Award for Best DirectorAward2007
Never ForeverFilm, Producer2002
OasisFilm, Director, Writer2000
Peppermint CandyFilm, Director, Writer1995
A Single SparkFilm, Writer1993
To the Starry IslandFilm, Writer1954Born4 July 1954People around Lee
Close ties
Sul Kyung-gu Lee directed Possible Love and Oasis
Moon Sung-keun Lee directed Green Fish (1997)
Jeon Do-yeon Lee directed Secret Sunshine and Possible Love
Kim Sae-ron Lee produced A Girl at My Door (2017)
Song Kang-ho Lee directed Secret Sunshine and Green Fish
Moon So-ri Lee directed Oasis and Peppermint Candy
Shim Hye-jin Lee directed Green Fish (1997)
Vera Farmiga Lee produced Never Forever (2007)
Steven Yeun Lee produced Burning (2019)
Bae Doona Lee produced A Girl at My Door (2017)
Yoo Ah-in Lee directed Burning (2019)
Zo In-sung Lee directed Possible Love (2026)
Ko A-sung Lee produced A Brand New Life (2010)
Maciej Musiał Produced Possible Love (2026)
Ha Jung-woo Lee produced Never Forever (2007)
Jeon Jong-seo Lee directed Burning (2019)
Ahn Nae-sang Also in Oasis and Poetry
Kim Yeo-jin Lee directed Peppermint Candy (2000)
Lee Hee-joon Lee directed Secret Sunshine (2010)
Lee Sung-min Lee directed Secret Sunshine (2010)
Ounie Lecomte Directed A Brand New Life (2009)
Kim Yeong-jae Lee directed Secret Sunshine (2010)- Kim Yong-taik Lee directed Poetry (2010)
Song Sae-byeok Lee produced A Girl at My Door (2017)
Known for
View all 23 titles
Oasis 2002
Poetry 2010
The World of Us 2016
Peppermint Candy 2000
Burning 2018
Also in Deutsch
Filmography 23
37 credits on file
Television 1
Media & music
In their own words 2
To me it seems that films these days are becoming more and more simple, and the audience seems to desire simpler stories.
I’ve always wanted actors to simply and purely feel the emotions rather than feeling like they have to express them.
Awards
About this person
Burning became the first Korean film to make it to the 91st Academy Awards' final nine-film shortlist for Best Foreign Language Film. Burning also won the Fipresci International Critics' Prize at the 71st Cannes Film Festival, Best Foreign Language Film in Los Angeles Film Critics Association, and Best Foreign Language Film in Toronto Film Critics Association.