Keishi Ōtomo is read about 154 times a day, in 7 languages.
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Something wrong?Keishi Ōtomo is a Japanese film director and screenwriter. He is known for psychological thrillers and historical dramas, as well as adapting a variety of manga and novels to film, including The Vulture (2009), Ryōmaden (2010), and the Rurouni Kenshin film series.
A life in dates
10DANCEFilm, Director, Writer
Hero's IslandFilm, 2025Director, Writer2023
THE LEGEND & BUTTERFLYFilm, Director2021
Rurouni Kenshin: The BeginningFilm, Director, Writer2019
Beneath the ShadowFilm, Director2018
Million Dollar ManFilm, Director, Writer2017
March Comes In Like a LionFilm, Director, Writer
March Goes out Like a LambFilm, 2017Director, Writer2016
MuseumFilm, Director, Writer2014
Rurouni Kenshin Part II: Kyoto InfernoFilm, Director, Writer
Rurouni Kenshin Part III: The Legend EndsFilm, 2014Director, Writer2013
Platinum DataFilm, Director2012
Rurouni Kenshin Part I: OriginsFilm, Director, Writer2010
RyōmadenSeries, Creator2009
The VultureFilm, Director2007
Hagetaka: Road to RebirthSeries, Director2003Yumemiru BudoSeries, Director1996
HideyoshiSeries, Director1966Born6 May 1966Photos 1
Filmography 16
DA10DANCEHIHero's IslandTBTHE LEGEND & BUTTERFLY
RFRurouni Kenshin: The FinalRBRurouni Kenshin: The BeginningBSBeneath the ShadowMMMillion Dollar ManMLMarch Comes In Like a LionMLMarch Goes out Like a LambMUMuseum
TMThe Top Secret: Murder in MindRIRurouni Kenshin Part II: Kyoto InfernoRERurouni Kenshin Part III: The Legend EndsPDPlatinum DataRORurouni Kenshin Part I: OriginsTVThe Vulture32 credits on file
Television 4
RYRyōmadenHRHagetaka: Road to RebirthHIHideyoshiIn common with Keishi
About this person
Keishi Ōtomo is a Japanese film director and screenwriter. He is known for psychological thrillers and historical dramas, as well as adapting a variety of manga and novels to film, including The Vulture (2009), Ryōmaden (2010), and the Rurouni Kenshin film series. Ōtomo’s awards include the Audience Award at the 18th Fantasia International Film Festival in Montreal (2014), the Popularity Award at the 38th Japanese Academy Awards (2014), and Best Director at the 31st Japanese Critics Award (2022).
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