Jun Fukuda was a Japanese film director, screenwriter, and producer. He is best known for directing five entries in the Godzilla series for Toho starting with Ebirah, Horror of the Deep (1966) as well as the spy films Ironfinger (1965) and Golden Eyes (1968) starring Akira Takarada.
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Photos 1
Filmography 40
Godzilla vs. Mechagodzilla
Ebirah, Horror of the Deep
Son of Godzilla
Godzilla vs. Megalon
Godzilla vs. Gigan
The War in Space
Godzilla, King of the Monsters
The Secret of the Telegian
Ironfinger
ESPY
Golden Eyes
Trap of Suicide Kilometer
City of Beasts
Konto 55: Grand Outer Space Adventure
Horror of the Wolf
The Merciless Trap
Young Guy in Hawaii
College Champ
Young Guy Graduates
Young Guy on Mt. Cook
Operation Mad Dog
Sensation Seekers
The White Rose of Hong Kong
It's a Man's Way of Life
Comedy: Love and Justice Among Cheaters
The Great Japanese Pick-Pocket Club
The Terrible Game
Hiroshi Moriya Sadogasa: Thank You, Sandogasa
Counterstroke
Hiroshi Moriya Sandogasa: I Want to Weep
The Witness Killed
The Mad Atlantic
The Weed of Crime
Blood and Diamonds
A Swindler to the West: A Con Man to the East
Attack of the Galactic Monsters
Motta, the Flying Dracula Monster
A Woman's Identity
Konto 55: Grandson of a Ninja
3,000 Kilometer Trap72 credits on file
Television 4
Monkey
Operation: Mystery
Zone Fighter
Submersion of JapanConnected to Jun 6
About this person
Jun Fukuda was a Japanese film director, screenwriter, and producer. He is best known for directing five entries in the Godzilla series for Toho starting with Ebirah, Horror of the Deep (1966) as well as the spy films Ironfinger (1965) and Golden Eyes (1968) starring Akira Takarada. Son of Godzilla (1967) has received particular attention from Godzilla fans. His next features with Godzilla vs. Gigan (1972) and Godzilla vs. Megalon (1973) were constrained with the extensive use of stock footage. His last Godzilla film Godzilla vs. Mechagodzilla (1974) was the first of numerous ones to feature the character of Mechagodzilla, which he co-wrote the screenplay for. While he did not particularly enjoy the five Godzilla films he made for Toho, he understood the appreciation the films had in some circles, particularly among children.
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