French dramatist (1639-1699)
He refined French tragedy into something lethal: twelve-syllable lines that could cut skin. In an age of grand gestures, Racine stripped the stage bare and let passion do the killing.
Born in December 1639, Jean-Baptiste Racine became one of three towering playwrights in 17th-century France alongside Molière and Corneille, though his territory was almost entirely tragedy. He mastered the twelve-syllable alexandrine and bent it into what Robert Lowell later called a "diamond-edge" — verse known for elegance, purity, speed, and a hard electric rage. Works like Phèdre, Andromaque, and Athalie became examples of neoclassical perfection, marked by psychological insight, prevailing passion, and a nakedness of both plot and stage. He wrote one comedy, Les Plaideurs, and one muted…
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