Hisayasu Satō
Japanese film director · Japan · On the map · Directors · Born 1959 · age 67
Hisayasu Satō is a Japanese exploitation film director. He has worked prolifically in the genre of pinku eiga films, which refers to Japanese films that prominently feature nudity or sexual content. His best-known works are the 1992 pink film The Bedroom and the 1996 V-Cinema splatter film Splatter: Naked Blood.
Hisayasu Satō is read about 81 times a day, in 8 languages.
A typical day, 30 days to 9 August 2026
The middle day of the days counted, so one week of news cannot move it. The line under it is the last 60 days, one point a day.
Something wrong?A life in dates
Cute DevilFilm, Director2014
Hana-DamaFilm, Director, Producer2005
Rampo NoirFilm, Director1999
Tokyo ElegyFilm, Detective1998
Soft SkinFilm, Director, Writer1995
Hunters' Sense of TouchFilm, Director1994
Love − Zero = InfinityFilm, Director1993
Chikan densha: Iyarashii kôiFilm, Director1992
An Aria on GazesFilm, Director1990
Hanra honban: Joshidaisei bôkô-henFilm, Director1989
Bijin reporter: Boko nama-chukeiFilm, Director1988
Brain SexFilm, Director1986
Gimme ShelterFilm, Director1985
Wife CollectorFilm, Director1959Born15 August 1959People around Hisayasu
Close ties
- Yumika Hayashi Hisayasu directed Naked Blood (1995)
Imaoka Shinji Also in Turtle Vision and Love − Zero = Infinity
Kan Mukai Produced Gimme Shelter (1986)
Yumi Yoshiyuki Also in Rafureshia, The Fetist and Rampo Noir
Issei Sagawa Also in An Aria on Gazes and Soft Skin
Tadanobu Asano Hisayasu directed Rampo Noir (2005)
Mikako Ichikawa Hisayasu directed Rampo Noir (2005)
Ryūhei Matsuda Hisayasu directed Rampo Noir (2005)
Hiroki Narimiya Hisayasu directed Rampo Noir (2005)
Nao Ōmori Hisayasu directed Rampo Noir (2005)- Sadawo Abe Hisayasu directed Naked Blood (1995)
Minori Terada Also in Meet Me in the Dream: Wonderland (1996)
Also in Deutsch
Filmography 40
140 credits on file
Media & music
Photos 1
About this person
He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism.
