Hisayasu Satō is a Japanese exploitation film director. He has worked prolifically in the genre of pinku eiga films, which refers to Japanese films that prominently feature nudity or sexual content. His best-known works are the 1992 pink film The Bedroom and the 1996 V-Cinema splatter film Splatter: Naked Blood.
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Photos 1
Filmography 40
Save the Last Dance for Me
Splatter: Naked Blood
Rampo Noir
An Aria on Gazes
Lolita: Vibrator Torture
Uniform Virgin: The Prey
Wife Collector
Uma to onna to inu
Pervert Ward: S&M Clinic
OL renzoku rape: Kyonyû musaboru
Re-Wind
Brain Sex
The Fetist
Love Letter in the Sand
Rafureshia
Love − Zero = Infinity
Tokyo Stray Girls
Lustmord
Meet Me in the Dream: Wonderland
Hanra honban: Joshidaisei bôkô-hen
Bondage Ecstasy
Muscle
Turtle Vision
Survey Map of a Paradise Lost
Chikan densha: Iyarashii kôi
Gimme Shelter
Soft Skin
Kyrie Eleison
Boko climax!
Silencer Made of Glass
Bijin reporter: Boko nama-chukei
Tokyo Elegy
Niizuma kahanshin: Washizukami
Temptation of the Mask
Seifuku nusumi-dori-ma: Gekisha naburu
Umagoya no reijô
Hana-Dama
Hitozuma gômon: Sandan-zeme
Cute Devil
Hunters' Sense of Touch140 credits on file
Connected to Hisayasu 6
About this person
Hisayasu Satō is a Japanese exploitation film director. He has worked prolifically in the genre of pinku eiga films, which refers to Japanese films that prominently feature nudity or sexual content. His best-known works are the 1992 pink film The Bedroom and the 1996 V-Cinema splatter film Splatter: Naked Blood. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism.
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