Henrik Ibsen is read about 1,612 times a day, in 116 languages.
A typical day, 30 days to 15 October 2026
The middle day of the days counted, so one week of news cannot move it. The line under it is the last 390 days, one point a day.
Something wrong?He wrote plays that made Victorian audiences squirm - women walking out on marriages, priests losing faith, respectable families rotting from within. By the time he died in 1906, the Norwegian who'd spent 27 years in self-imposed exile had become the most-performed playwright on earth after Shakespeare.
A life in dates
Also in Deutsch
Photos 8
In their own words 10
The great task of our time is to blow up all existing institutions - to destroy.
I hold that man is in the right who is most closely in league with the future.
There are three Empires. First there is the Empire which was founded on the tree of knowledge. Then there is the Empire founded on the tree of the Cross.
Awards
Family
Parents
Partners
Children
Brothers and sisters
Is this everyone?
Only relatives with a profile here are drawn, so a family can be larger than this. A line here can also be wrong.
Correct this familyAbout this person
Henrik Johan Ibsen was born 20 March 1828 into Skien's merchant elite, with deep roots in Telemark's old powerful families. He directed theaters in Norway through the 1850s, then broke through internationally in the 1860s with Brand and Peer Gynt - the latter a surreal verse epic he'd never match in form again. In 1864 he left for Italy and Germany, where he stayed 27 years, moving between Rome, Dresden, and Munich, writing almost exclusively in realistic prose. A Doll's House, Ghosts, An Enemy of the People, The Wild Duck, Hedda Gabler - each one peeled back the façade of bourgeois respectability, often drawing on his own family and the textures of Skien, and each one scandalized audiences who expected theater to preach propriety, not dissect it. He returned to Christiania in 1891, by then a figure Freud ranked with Shakespeare and Sophocles. He died 23 May 1906, having fathered a prime minister and left a body of work that made him, in 2014, still the second-most-performed dramatist in the world.
Fame.am measures public visibility signals. It does not measure human value, talent, morality, or credibility.