Greta Garbo is read about 3,176 times a day, in 97 languages.
A typical day, 30 days to 15 October 2026
The middle day of the days counted, so one week of news cannot move it. The line under it is the last 390 days, one point a day.
Something wrong?She walked off the screen in 1941 and never came back. For fifty years after, Garbo refused every offer, every interview, every chance to explain why Hollywood's most magnetic face had simply chosen silence.
A life in dates
The South Bank ShowSeries1976
That's Entertainment, Part IIFilm, (archive footage)1974
Spécial cinémaSeries1955“I never said, "I want to be alone." I only said, "I want to be let alone! There is all the difference.”In their words24 January 1955Quoted in John Bainbridge, Garbo (Doubleday, 1955) and "To Be Herself", Life (January 24, 1955; Vol. 38, No. 4), p. 113; as the Russian
MGM ParadeSeries, 19551954Academy Honorary AwardAward1941
Two-Faced WomanFilm, Karin Borg Blake1937Litteris et ArtibusAward
ConquestFilm, 1937Countess Marie Walewska1935
Anna KareninaFilm, Anna Karenina1932
As You Desire MeFilm, Zara, a.k.a. Maria1930
Anna ChristieFilm, Anna Christie1928“I am bewildered by the thousands of strange people who write me letters. They do not know me. Why do they do that?”In their wordsScreen Secrets: Greta Garbo Breaks her Silence (1928)
A Woman of AffairsFilm, 1928Diana Merrick1926
Flesh and the DevilFilm, Felicitas1924
The Saga of Gösta BerlingFilm, Elizabeth Dohna1905Born18 September 1905Also in Deutsch
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In their own words 2
I never said, "I want to be alone." I only said, "I want to be let alone! There is all the difference.
I am bewildered by the thousands of strange people who write me letters. They do not know me. Why do they do that?
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Born Greta Lovisa Gustafsson in Sweden, she broke through in the 1924 film The Saga of Gösta Berling, catching the eye of MGM's Louis B. Mayer, who brought her to Hollywood in 1925. Her third American film, Flesh and the Devil (1926), made her an international star, and by 1928's A Woman of Affairs she was MGM's top draw, eclipsing Lillian Gish. The 1930 transition to sound - marketed with "Garbo talks!" - brought an Oscar nomination for Anna Christie, and her reign continued through Grand Hotel, Queen Christina, and what many consider her finest work, Camille (1936). Labeled box office poison in 1938, she rebounded with the comedy Ninotchka (1939), but Two-Faced Woman flopped in 1941 and she walked away for good at thirty-six. Four years before her death in 1990, she finally said it plain: "I was tired of Hollywood. I did not like my work."
In common with Greta
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