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Something wrong?Gian Maria Volonté was an Italian actor and activist. He is known for his roles in Italian Western films: Ramón Rojo in Sergio Leone's A Fistful of Dollars (1964), El Indio in Leone's For a Few Dollars More (1965), El Chuncho Munoz in Damiano Damiani's A Bullet for the General (1966) and Professor Brad Fletcher in...
A life in dates
Open DoorsFilm, 1990Giudice Vito Di Francesco1987Silver BearAwardSilver Bear for Best ActorAward
A Boy from CalabriaFilm, 1987Felice1986
The Moro AffairFilm, Aldo Moro1983Cannes Film Festival Award for Best ActorAward1982
The Charterhouse of ParmaSeries, Count Mosca1981
La Storia Vera Della Signora Dalle CamelieSeries, Plessis1980
Cristo si è fermato a EboliSeries, Carlo Levi1979
Christ Stopped at EboliFilm, Carlo Levi1978
Ciné regardsSeries1977Taormina Film FestAward1976
One Way or AnotherFilm, M.1974
Spécial cinémaSeries1973
Giordano BrunoFilm, Giordano Bruno1972
Slap the Monster on Page OneFilm, Bizanti1970Grolla d'oro for Best Leading ActorAward
Investigation of a Citizen Above SuspicionFilm, 1970Dottore1968Grolla d'oro for Best Leading ActorAward1967
Diamoci del tuSeries
A Bullet for the GeneralFilm, 1967Chuncho Munos / 'El Chuncho'1965
Una vita in giocoSeries, Radek
For a Few Dollars MoreFilm, 1965El Indio1964
Le inchieste del commissario MaigretSeries, Radek
Vita di MichelangeloSeries, 1964Michelangelo
A Fistful of DollarsFilm, 1964Ramón Rojo1962
The Four Days of NaplesFilm, Stimolo1960
Under Ten FlagsFilm, Samuel Braunstein1959
The IdiotSeries, Parfen Rogozin1933Born9 April 1933Also in Deutsch
Photos 3
Filmography 40
91 credits on file
Television 10
Awards
About this person
Gian Maria Volonté was an Italian actor and activist. He is known for his roles in Italian Western films: Ramón Rojo in Sergio Leone's A Fistful of Dollars (1964), El Indio in Leone's For a Few Dollars More (1965), El Chuncho Munoz in Damiano Damiani's A Bullet for the General (1966) and Professor Brad Fletcher in Sergio Sollima's Face to Face (1967) as well as high-profile social dramas depicting the political and social stirrings of Italian and European society in the 1960s and 1970s, including four films directed by Elio Petri - We Still Kill the Old Way (1967), Investigation of a Citizen Above Suspicion (1970), The Working Class Goes to Heaven (1971), and Todo modo (1976). He is also recognized for his performances in Jean-Pierre Melville's Le Cercle Rouge (1970), Giuliano Montaldo's Sacco & Vanzetti (1971) and Giordano Bruno (1973), and Francesco Rosi's Christ Stopped at Eboli (1979).
In common with Gian
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