Though sincerity and confidence have many points of resemblance, they have yet many points of difference.
French author of maxims and memoirs (1613-1680)
He turned the drawing room into an operating theatre: one-line dissections of motive, virtue stripped to self-interest, love revealed as calculated need. The Maximes still cut because La Rochefoucauld named what polite society preferred to deny.
Born in Paris in 1613 as Prince de Marcillac, when the court swung between coddling and crushing the nobility, he carried the weight of lineage—his great-grandfather died a Huguenot in the St. Bartholomew's Day massacre. He became the model seventeenth-century nobleman, until 1650 when he assumed his dukedom. What survives of his dense literary work are two published pieces: the Memoirs and the Maximes, the latter a collection of aphorisms that Leonard Tancock called "one of the most deeply felt, most intensely lived texts in French literature." The Maximes distilled his experience, resentment…
Sourced, dated quotes from François de La Rochefoucauld
Though sincerity and confidence have many points of resemblance, they have yet many points of difference.
Confidence always pleases those who receive it.
We should make it a rule never to have half confidences. They always embarrass those who give them, and dissatisfy those who receive them.
Satire is at once the most agreeable and most dangerous of mental qualities.
Raillery is a kind of mirth which takes possession of the imagination, and shows every object in an absurd light; wit combines more or less softness or harshness.
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