Elisabeth Subrin
American artist · United States · On the map · Directors · Born 1964 · age 62
Elisabeth Subrin is a Brooklyn-based filmmaker, screenwriter, and visual artist. She is known for her interdisciplinary practice in the contemporary art and independent film worlds.
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Elisabeth Subrin is read about 4 times a day, in 3 languages.
A typical day, 30 days to 25 October 2026
The middle day of the days counted, so one week of news cannot move it. The line under it is the last 60 days, one point a day.
Something wrong?A life in dates
Manal Issa, 2024Film, Director, Writer
The Listening TapesFilm, 2024Director2023César Award for Best Documentary Short FilmAward2022
Maria Schneider, 1983Film, Director, Writer2019
30/30 Vision: Three Decades of Strand ReleasingFilm, Director
For MariaFilm, 2019Director2017
A Woman, a PartFilm, Director, Writer2010Lost Tribes and Promised LandsFilm, Director2008
Sweet RuinFilm, Director2002Guggenheim FellowshipAward2000
The FancyFilm, Director1997
ShulieFilm, Director, Writer1995SwallowFilm, Director1964BornPeople around Elisabeth
Close ties
Filmography 11
18 credits on file
Awards
About this person
Recognized for her cinematic use of reenactment, her films and video installations have been featured in numerous festivals and exhibitions internationally, including solo shows at The Museum of Modern Art, Film at Lincoln Center, STUK arts center in Belgium, and the Vienna Viennale. Her recent research has focused on the late French actress Maria Schneider. She is a professor in Temple University's Department of Film and Media Arts. In 2020, she was a Fulbright Research Scholar in France. Her 2022 short film, Maria Schneider, 1983, starring Manal Issa, Aïssa Maïga and Isabel Sandoval, had its world premiere at the 2022 Cannes Film Festival in Director’s Fortnight and North American premiere at The 2022 New York Film Festival and won Best Documentary Short Film at the 48th César Awards. Subrin’s 2016 award-winning feature narrative, A Woman, a Part, starring Maggie Siff, Cara Seymour, John Ortiz, and Khandi Alexander, had its world premiere in competition at International Film Festival Rotterdam and traveled to festivals throughout Europe, US and Asia. It was released theatrically in 2017. A commissioned multi-channel video, sound and sculptural version, The Listening Takes, was on view at David Winton Bell Gallery through June 4th, 2023, and then in expanded versions at Participant Inc and in her 2026 survey, Elisabeth Subrin: How We Find Her at STUK in Belgium.
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