Dziga Vertov
Russian-Soviet documentary/avantgarde filmmaker (1896-1954) · Russia · Directors · Died at 58
Dziga Vertov is read about 275 times a day, in 53 languages.
A typical day, 30 days to 15 September 2026
The middle day of the days counted, so one week of news cannot move it. The line under it is the last 60 days, one point a day.
Something wrong?He built a documentary grammar before the word existed - Soviet newsreels as kinetic argument, the camera as participant not witness. Man with a Movie Camera still lands in the top ten of greatest-ever lists, and his theories seeded cinéma vérité decades before France gave it the name.
A life in dates
For You at the Front!Film, Director, Writer1937In Memory of Sergo OrdzhonikidzeFilm, Director1934
Three Songs About LeninFilm, Director, Writer1930
Enthusiasm: Symphony of DonbasFilm, Director1929
Man with a Movie CameraFilm, Director, Writer1928
The Eleventh YearFilm, Director, Writer1926
A Sixth Part of the WorldFilm, Director, Writer1925
Kino-Pravda No. 21: Lenin Kino-Pravda. A Film Poem About LeninFilm, Director1924
Kino-EyeFilm, Director, Writer1923First May in MoscowFilm, Director1922
Kino-Pravda No. 1Film, Director1921
The History of the Civil WarFilm, Director1919
The Brain of Soviet RussiaFilm, Director1918
Anniversary of the RevolutionFilm, Director1896Born2 January 1896Also in Deutsch
Photos 1
Filmography 40
92 credits on file
Awards
In their orbit 3
About this person
Born David Kaufman in 1896, he took the pseudonym Dziga Vertov and joined the Kinoks collective alongside his future wife Elizaveta Svilova and brother Mikhail Kaufman. Through the 1920s he turned Soviet newsreels into formal experiments, arguing the camera could see truths the human eye missed. In 1929 he released Man with a Movie Camera - no actors, no script, just montage and motion - working again with Mikhail on cinematography and his younger brother Boris Kaufman. Critics in the 2012 Sight & Sound poll ranked it the eighth-greatest film ever made. He died in Moscow in 1954, but the cooperative that borrowed his name in 1968 and the vérité tradition that followed kept the argument alive.
In common with Dziga
Directors from Russia 2
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