Italian Renaissance painter from Florence (1448–1494)
He painted Renaissance Florence's elite into Biblical scenes — wealthy merchants posing as shepherds, bankers' daughters as saints — and made it feel reverent instead of ridiculous. That gift for weaving the sacred and the social kept commissions rolling in.
Born Domenico di Tommaso Curradi di Doffo Bigordi in Florence on 2 June 1448, he became Ghirlandaio professionally and rose alongside Verrocchio, the Pollaiolo brothers, and Botticelli as part of the so-called third generation of the Florentine Renaissance. He ran a large, efficient workshop with his brothers Davide and Benedetto, his brother-in-law Bastiano Mainardi, and later his son Ridolfo — a factory of frescoes and altarpieces that trained a parade of apprentices, Michelangelo among them. His signature move was slipping contemporary Florentines and everyday city life into religious narra…
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